In his latest post for The Signal, Trevor Owens explores digital objects through the lens of archival theory, such as respect des fonds, or the archival imperative to maintain original order. He explains:
While the representations of digital objects often appear non-linear it is critical to not be seduced by the flickering and transitory view of digital objects provided by our screens. At the end of the day, every digital object is encoded on some medium and that encoding is an ordered sequence of bits.