Johanna Drucker has written an article for the Los Angles Review of Books discussing the misconception that digital technology will “cure” academic publishing:
To make sure humanities scholarship thrives, it is crucial that we cut through the fog of pixel dustāinduced illusion to the practical realities of what digital technology offers to scholarship. Among the prevailing misconceptions about digital production of any kind is that it is cheap, permanent yet somehow immaterial, and that it is done by āmachinesā ā that is, with little human labor.
Drucker asserts that “hard, serious, life-long dedication to scholarship, the actual professional work of experts in a field, will remain at the center of knowledge production” and thatĀ “we canāt design ourselves out of the responsibility for supporting the humanities, or for making clear the importance of their forms of knowledge to our evolving culture.”
dh+lib review
This post was produced through a cooperation between Julie Adamo, Emory Johnson, Chelcie Rowell, and Krista White (Editors-at-large for the week), Caro Pinto (Editor for the week), and Zach Coble and Roxanne Shirazi (dh+lib Review Editors).
[…] which in turn can Ā be scaled up for scholarly crowdsourced project. Taylor builds on an earlier article by Johanna DruckerĀ (UCLA) that criticized academic crowdsourcing projects as using an approach that works only in a […]